Rage of Honor

18 février 2010

Olive, the Other Reindeer review

Classé dans : Non classé — rageofhonor @ 13:19

Olive is a small dog with a big
heart… who loves Christmas more than any other day of the year. When she
hears an announcement that due to one of his reindeer being injured, Santa
Claus may cancel Christmas unless “all of the other reindeer” help
out, Olive (voiced by Drew Barrymore) becomes convinced that he really said
“Olive, the other reindeer,” and sets out on an unlikely mission to
convince Santa that she’s the right dog (uh, reindeer) for the job. Along the
way she meets a variety of characters who either befriend her, like Martini the
escaped zoo penguin (voiced by Joe Pantoliano) or hinder her, like a deranged
postman.

Olive, the Other Reindeer
may very well entertain the younger set, but the audience who will appreciate
it more is adults. This short animated film purports to tell a fairly
straightforward story, along the lines of so many other Christmas specials:
Christmas is in danger, and everyone is sad, but Olive will save the day and
bring the Christmas spirit to everyone! And on that level, it’s an entertaining
story; what makes it more fun is how it tweaks the conventions along the way,
and handles the whole thing with a wry and adult wit.

Olive, the Other Reindeer
picks up on the familiar Christmas plot of “We must save Christmas!”
and gives it a remarkably realistic spin. You might be wondering how I could
use the word “realistic” in the context of a film about a talking dog
who decides to fill in as a flying reindeer, but it’s true. We all know that
“Christmas specials” are really about people, emotions, and
relationships; the “Christmas miracle” of the standard holiday film
is generally brought about by people suddenly finding kindness and fellowship
in their hearts. What we find in Olive, the Other Reindeer is that most
of the characters are… well, a lot like real people. Her owner Tim takes out
his frustrations on her after learning that Santa is about to cancel Christmas.
Her new friend Martini is happy to let Olive help him stay out of trouble, but
hesitant to go out on a limb for her. The people she meets on her voyage to the
North Pole range from apathetic to actively hostile. Yet the film doesn’t
become cynical; in contrast, it maintains an upbeat tone, with a smidgen of
ironic acknowledgment of human nature.

Another aspect of Olive, the
Other Reindeer
that struck me as nicely done is how the film neatly
sidesteps any religious aspects of the holiday. Santa Claus-like figures appear
in a number of different folklores, not necessarily related at all to the
Christian aspect of the holiday; he’s a figure who stands for generosity and
the spirit of goodwill and charity, which are cross-cultural virtues.

Have you ever noticed that just
about every animated film has some musical numbers? So does Olive, the Other
Reindeer
… except that they’re witty and slightly parodic of the typical
sappy songs that get shoehorned into so many animated features. The two
contemporary-style songs here are quite well done, and will certainly bring a
laugh to viewers. Visually, Olive, the Other Reindeer is distinctive as
well; it’s a startling mix of 3D and 2D animation, with a definite slant toward
the abstract.

In the end, Olive, the Other
Reindeer
pokes fun at the whole holiday hullabaloo, but it does so in a
gentle and ultimately kind-hearted way. We all know that life isn’t really so
simple as it is in Olive’s world, where ensuring that Santa delivers his
presents is enough to bring happiness to all… but the cheerful ending
nonetheless reminds us that happiness and goodwill are worth striving for, and
that we can achieve more than we think, if we don’t just give up. As far as
messages for younger viewers go, that’s a good one in my book.

15 février 2010

Bride Wars review

Classé dans : Non classé — rageofhonor @ 16:19

'Bride Wars'

by

Randy Cordova

- Jan. 8, 2009 12:00 AM
The Arizona Republic

Let's use the release of

Bride Wars

to officially retire Natalie Cole's

This Will Be

as the go-to theme for lame big-screen comedies. The tune already has popped up in

Must Love Dogs, Taxi

and the Lindsay Lohan version of

The Parent Trap.


Bride Wars

blasts it in the first 10 minutes and does nothing to reverse the song's losing streak.

There are other early signs that

Bride Wars

is in trouble. To begin with, the premise isn't all that great. Liv (Kate Hudson) and Emma (Anne Hathaway) are best pals who share a dream of getting married at New York's Plaza Hotel.

When the women get engaged at the exact same time, they both go down Plaza dates in June, a sheer three months away. Apparently, booking the Plaza is as easy as getting into your local VFW meeting.

Because of a receptionist's snafu, the two wind up scheduled for the same day. Despite their 20-year friendship, neither will give up the date. Like all successful, mature women, the two decide to deal with the situation by viciously turning on each other.

Emma sends Liv sweets to fatten her up so she can't fit into her Vera Wang wedding dress. Liv sabotages Emma's visit to a tanning salon. Their shenanigans make Lucy Ricardo and Ethel Mertz look like Hillary Clinton and Nancy Pelosi by comparison.

Director Gary Winick (

13 Going on 30

) doesn't have a good grasp of the material; then again, he doesn't have much to work with. Most of the gags fail to pay off. In one sequence, Emma and her fiance are sent to a sham choreographer to work on their wedding dance. It's a setup that could be amusing, but it goes nowhere in Winick's hands.

When it comes to the stars, Hathaway is the better of the two. She's feisty and charming; thanks to her big brown eyes, she resembles a wounded fawn when she cries. That's about all the role demands from her.

Hudson fares a lot worse, as she is starting to look and sound exactly like her mom, Goldie Hawn. Unfortunately, here she looks like Hawn at 45, and Hudson is only 29. She also has hardened and lacks her mom's warmth; she's like Hawn's evil twin rather than her offspring.

The movie ends with the door wide open for a sequel; one can't imagine anyone involved jumping at the thought. Well, except for Natalie Cole, who must love those royalty checks.


Reach the reporter at

randy.cordova@arizonarepublic.com

or 602-444-8849.

Bride Wars

20th Century Fox

Kate Hudson, left, and Anne Hathaway in "Bride Wars."

More on this theme

'Bride Wars'

2 stars


Director:

Gary Winick.


Cast:

Anne Hathaway, Kate
Hudson.

Rating: PG, for suggestive content, language and rude behavior.

Great
5 stars

Good
4 stars

Fair
3 stars

Bad
2 stars

Bomb
1 star


Akin:

|

10 date spots for new couples

|

Romantic rentals

|

Blue Martini turns 1



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14 février 2010

Jason’s Lyric review

Classé dans : Non classé — rageofhonor @ 9:29

But “Jason’s Lyric,” now available on home video, might
take a little effort on the part of viewers. It’s kind of a silly
love song. A love song with a cocked .357 Magnum pointed at its
heart.
“Jason’s Lyric” was directed by Oakland-born Doug McHenry and
produced by George Jackson. Filmed with sometimes exquisite
loveliness as well as with point-
blank goriness, the script by Bobby Smith Jr. trades on familiar
themes — Cain and Abel and Romeo and Juliet.

The setting is contemporary Houston, where ghetto districts are
still called wards, areas turned over to black families after the
Civil War as a way of segregating
them. “Jason’s Lyric” effectively contrasts the decaying ghetto
areas with the flashier urban side of Houston in the backdrop. It
builds on the film’s sense of people trapped on just the other side
of the good life.

The story hinges on a nightmarish, tragic flashback when a
drunken, crippled Vietnam vet named Maddog (Forest Whitaker) forces
his way into the home of his estranged wife (Suzzanne Douglas),
starts beating her and is shot by one of their scared young sons.

The death of the once-loving dad haunts the memories of
both sons. Joshua (Bokeem Woodbine) serves a prison term and comes
out bitter, hopeless and with a tough guy’s swagger. Jason (Allen
Payne
, who played Gee-Money, Wesley Snipes’ drug-addict brother in
“New Jack City”) is the good son who stood by his hardworking mom
and now must stand by his troubled, angry brother.

12 février 2010

Beowulf review

Classé dans : Non classé — rageofhonor @ 4:49

Beowulf (2007)
: Action/Adventure, Animation and Fantasy
: 1 hr. 53 min.


Leader

: Robert Zemeckis

Producer

: Jack Rapke, Robert Zemeckis, Steve Bing, Steve Starkey

Distributor

: Paramount Pictures

Let off Date

: November 16, 2007

Writer

: Roger Avary



Articles:


:: Synopsis

In the time of heroes comes the mightiest warrior of them all, Beowulf. After destroying the overpowering demon Grendel, he incurs the undying wrath of the beast's ruthlessly prepossessing mother who thinks fitting use any means possible to ensure vindictiveness. The ensuing epic battle throughout the ages, immortalizing the name Beowulf. Academy Award® winner gaffer Robert Zemeckis tells the oldest epic tale in the English language with the most modern technology, advancing the cinematic forum through the magic of digitally enhanced live battle. A stellar cast is led by Ray Winstone ('The Departed'; 'Ribald Beast') in the title place. Joining him are Academy Award® conqueror Anthony Hopkins as the cursed King Hrothgar, John Malkovich, Robin Wright Penn, Brendan Gleeson, Crispin Glover, Alison Lohman and Oscar® Conquering hero Angelina Jolie as Grendel's mother.

The Prodigy full movie download dvd

10 février 2010

The Band’s Visit (2007)

Classé dans : Non classé — rageofhonor @ 13:19

The Alexandria Celebratory Oversee Orchestra arrives in Israel from Egypt for a cultural event, only to find there is no delegation to meet them, nor any arrangements to get to their stopping-place of Petah Tiqva. When they find their own ride, they attain instead at the remote town of Beit Hatikva. Stuck there until the next morning’s bus, the band, initiate by the repressed Tawfiq Zacharya (Sasson Gabai), gets help from the temporal café owner, Dina (Ronit Elkabetz), who offers to hoodwink someone a carry out them up towards the dusk, with lend a hand from Simon (Khalifa Natour). The tenebriousness passes inaudibly enough, but with some profound exchanges and secrets confessed.

7 février 2010

In October 1962 the detection …

Classé dans : Non classé — rageofhonor @ 22:19

Ipgrade your internet impression by watching high-digital streaming movies on your personal computer and skip the hassles of renting from your local video store and paying the fees charged for returning a movie late. Through streaming video sites, you can watch your favorite movies when it is convenient for you with no rental agreements to sign or late charges to pay ever. Stream movies

In October 1962 the detection of Soviet missiles in Cuba triggers a political crisis that
threatens to escalate into atomic confrontation. With the assistance of Attorney-General
Robert F. Kennedy (Steven Culp) and Presidential advisor Kenny O’Donnell (Kevin Costner),
US President John F. Kennedy (Bruce Greenwood) attempts to negotiate the withdrawal of the
missiles without the use of military strikes.

6 février 2010

Joan of Arc review

Classé dans : Non classé — rageofhonor @ 5:54

Joan of Arc [from the entertainment, Joan of Lorraine, by Maxwell Anderson] is a big picture in every respect. It has size, color, pageantry, a bold, distinguished bas-relief. It has powers that be, opinion, an appeal to faith and a dedication to a cause that leaves little unsound. And then, of track, Joan of Arc has Ingrid Bergman and a dream supporting designate.

Fleming has done an exciting job in blending the symbolism, the medieval warfront heroics, and the basic dramatic elements into a generally well-sustained whole.

There are certain misfires and false keynotes which militate against the desired consistency, such as Jose Ferrer’s tiptop impersonation of the Dauphin, later to become the King of France, who makes his characterization so much the complete nitwit that the audience may well wonder at the complete obeisance of Joan to this weakling sovereign, regardless of the fact he is a symbol of the realm. The churchly gradations are also script shortcomings.

The majesty of the earlier sequences is compelling almost all the way. When Joan edicts that ‘our strength is in our faith’, when she leads her army in the Battle of Orleans, when she is betrayed by the Burgundians in calumny with the English, when in the earlier scenes she wins the grudging alliance of the Governor of Vaucouleurs and the courtiers at Chinon, Bergman makes Joan a vivid albeit spiritual personality.

Download full mp3 songs, collect mp3 on your PC, share mp3 with your friends, find out bio facts about artists, download free wallpapers and much more. Listen to The Killers online.

The color by Technicolor is magnificent. The production is lavish and looks every bit of its $4 million-plus.

1948: Best Color Cinematography, Color Costume Design.

Nominations: Best Actress (Ingrid Bergman), Supp. Actor (Jose Ferrer), Color Art Direction, Editing, Scoring of a Dramatic Picture

4 février 2010

Six-String Samurai review

Classé dans : Non classé — rageofhonor @ 22:34

Enhance your internet experience by watching high-quality streaming films on your computer and skip the hassles of renting from your local video store and paying the money charged for returning a movie late. Through streaming video webservices, you can watch your lovely movies when it is convenient for you with no rental agreements to sign or late charges to pay ever. Watch movies online

The Russian dropped the batter in the 50’s. American is a wasteland ruled by the Soviets and roamed by mutants and warriors. Rock and roll is soundless royal. In fact, Elvis is the King of Las Vegas. Buddy, a warrior who is as homicidal with his sword as he is with his guitar, roams the desolate landscape with the Kid, his young compadre, battling various foes in hopes of discovery Lost Vegas and fit the next king. This independent setting was unequivocally popular at several festivals in 1998.

3 février 2010

AMERICAN MOVIE A film review …

Classé dans : Non classé — rageofhonor @ 9:54

AMERICAN SILVER SCREEN
A film march past by Steve Rhodes
Copyright 1999 Steve Rhodes
RATING (0 TO ****): ***

"We're in America today, and we're ready to roll," says the
indefatigable filmmaker, Mark Borchardt. Chris Smith's hilarious
documentary
, AMERICAN MOVIE, chronicles the innumerable trials and
tribulations of Mark as he sets off to make his magnum opus,
NORTHWESTERN. (Most of the film, however, has Mark sidetracked as he
attempts to finish COVEN, one of his many cheap horror flicks, so that
he can raise enough cash to complete NORTHWESTERN.)

After winning the Grand Jury Prize at Sundance, AMERICAN MOVIE was
picked up by Sony Pictures Classics for a nationwide theatrical release.
The only recent movie quite like AMERICAN MOVIE was the much better
HANDS ON A HARDBODY, which should be required viewing for anyone who
likes either documentaries or comedies. What the two films share is a
respectful but honest view of the poor part of America either ignored by
Hollywood or excessively romanticized. Both take place in the
cinematically unpopular middle of the country.

Actually, AMERICAN MOVIE isn't about making a movie, that's just the
context within which to tell the story of someone in search of the
American dream. "The American dream starts with me each and everyday,"
Mark proudly tells us. And for the 30ish Mark, the day starts off with
his paper route so that he can earn some of the money he needs to stoke
the fires of his ambitions.

In the Silicon Valley, young adults dream of striking gold with the next
Internet IPO. In Milwaukee, in the bleak, cold heartland of the
country, Mark sees film as his ticket to success. Driving out of his
poor neighborhood of tiny houses and mobile homes, he goes to an upscale
community to show us where he wants to live. Were it not for the
fabulous success of THE BLAIR WITCH PROJECT, we might write-off Mark's
cheesy, slasher flicks as being forever destined to be financial
disasters. But if another indie filmmaker can ride to fame and fortune
on something that looks like a bad home video, why not Mark, who even
shoots with real film rather than videotape?

Mark, a likable guy with a scraggy beard and long unkempt hair, talks a
mile a minute about his aspirations. He figures that when NORTHWESTERN
is in production, he'll need a bunch of assistant directors just to hold
the crowds back. Still, Mark, who comes from the Ed Wood school of
filmmaking, readily admits his deficiencies. "There's such corny
dialog," he says of his third draft of NORTHWESTERN's script, "that it'd
make the Pope weep."

Although you'll find Mark charming and funny, not everyone has a
charitable view of Mark's potential. "His main asset is his mouth," his
own brother tells us in candor. "He's best suited for just working in a
factory."

His buddy and fellow filmmaker, Mike Schank, who looks straight out of
Central casting, acts like his brain was fried years ago. The rotund
Mike, with his tie-dyed shirt and his wild hair and beard, relates
stories of his abuse of drugs and alcohol, which he has finally given
up. He steals every scene in which he appears with his sweet, out-of-it
demeanor. Sent with careful instructions on how to put up flyers for
the world premier of COVEN, Mike walks off without taking the flyers.
When reminded by Mark, Mike just gives him a puppy-dog grin as if to say
that if you didn't place the flyers directly into my hands, it can't be
my fault.

As delightfully inviting as the documentary is, it makes you yearn for a
fast-forward button. After a fast-paced, promising beginning, Chris
allows his film to lose focus in the middle. Including too much footage
of Mark's semi-senile, elderly grandfather, Smith lets the picture get
sidetracked. Footage of Mark bathing his grandfather might work in some
other film, but here it just bogs down the narrative. His grandfather,
as one of his financial backers, deserves a place in the documentary,
but perhaps not so prominent a one.

Although the documentary is about Mark's films and whether they would
ever get distributed, Chris Smith and Sarah Price, the two filmmakers on
AMERICAN MOVIE, maxed out their nine credit cards buying film stock for
two years, as they followed Mark around. They eventually did attract
some investors and, after their success at Sundance, a distributor. The
American dream appears to have come to them quicker than it did to Mark
and Mike, but in America there is plenty of dream to go around. And
Mark, certainly, isn't one who is likely to ever quit.

AMERICAN MOVIE runs too long at 1:49. It is rated R for fake-looking
gore and frequent profanity and would be fine for teenagers.

Email:

Steve.Rhodes@InternetReviews.com

Web:

http://www.InternetReviews.com

1 février 2010

Beautifully acted (with Spacek…

Classé dans : Non classé — rageofhonor @ 12:04

Beautifully acted (with Spacek winning an Oscar) rags-to-riches biopic of Country & Western singer Loretta Lynn, here working her technique from the Kentucky coalfields, via the Grand Ol’ Opry, to superstardom. For all the fashionable footnote, what with poverty and anxious breakdowns it’s still highly old hat stuff, but lovingly constructed to bring up unremarkable but verve-warming entertainment.

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