Panasonic Lumix DMC-TS1 12MP Digital Camera with 4.6x Wide Angle MEGA Optical Image Stabilized Zoom and 2.7 inch LCD Silver Description:
The Panasonic Lumix DMC-TS1S digital camera body is waterproof to 3 m (9.84 ft). It’s dustproof too, so you don’t have to worry about dust or sand getting inside. And it has passed drop tests at a height of about 1.5 m (4.92 ft). This is one tough little camera that you can take wherever action takes you.The TS1 records HD motion images with 1280 x 720-pixel resolution. It uses the AVCHD (MPEG-4/H.264) format, via AVCHD Lite which stores less data than other formats and thus lets you shoot more minutes of HD motion images before running out of memory.Just set the camera to iA mode, aim and shoot. The camera does the rest for you. It automatically sets the optimal mode for the shooting situation and helps correct blurring, focus and brightness problems. It also activates the new Face Recognition function, which finds familiar faces in a group of people and captures them in a clear focus and with proper exposure.A retracting lens with folding optics is used in this 4.6x zoom lens system, which lets you take shots from the 28mm wide-angle to 129mm telephoto. This gives you the flexibility for virtually any shooting situation - even underwater shots, where the angle of view is naturally narrowed, or when you just want to fill the frame with your subject.
- Amazon Sales Rank: #66 in Camera & Photo
- Color: Silver
- Brand: Panasonic
- Model: TS1 Silver
- Dimensions: 3.87″ h x .89″ w x 2.49″ l, .36 pounds
Features
- 12.1-megapixel resolution captures enough detail for poster-size prints
- Waterproof to a depth of 10 feet, shockproof from falls up to 5 feet, and dustproof
- Records AVCHD Lite HD video
- 4.6x MEGA image-stabilized optical zoom; 28mm wide-angle Leica DC Vario-Elmar lens
- Capture images to SD/SDHC memory cards (not included)
Customer Reviews:
Great pocket camera (4.5 stars)
I have been using DSLRs for several years, and currently use the Canon 40D and a wide selection of lenses. I bought this camera as a pocket camera that is easy to take anywhere, and for its HD video capability, as I’m currently in Thailand for several weeks doing some geology research for my master’s thesis, and it’s impractical and annoying to lug around my big camera everywhere. Therefore my expectations may be different - I am not expecting perfect image quality, full manual controls, etc., because I have my other camera for that kind of thing when I want it. I’m not sure that I would want this as my only camera, because the image quality isn’t perfect, but if I didn’t have a DSLR I don’t think I would notice.
In any case, the main thing I have been using this for is taking HD video. This is excellent, and looks phenomenal on a computer screen. I haven’t tried playing it on a TV but I assume it would look excellent there too. It is 720p, not 1080p like the new DSLRs will do, but it still looks great - surprisingly great, even, considering the size of the camera and its lens.
Others have apparently had trouble using the AVCHD Lite codec, but I have not. I can import the .mts files flawlessly into the Kdenlive video editor on OpenSUSE Linux 11.2 with KDE 4.2. I’m not sure what the status of this codec’s support in the popular Mac and Windows video editors is, but if you’re using Linux, don’t worry about it because it works great and the quality and file size are much better than using MPEG2. As it’s a small camera with a small lens and few manual controls, video is not going to look like that from a professional camcorder or from a new DSLR with HD video, but it’s easily as good or better than that from the small sub $1000 HD camcorders that are available. Manual control of exposure compensation and ISO for video isn’t apparently possible - a workaround is to use the scene modes, which works decently well. The night scene modes give pretty good high-iso (i.e. grainy) video at night, even in dark bars and clubs (or here in Thailand, riding in the back of a tuk-tuk). I really like that there’s a dedicated movie button - you can immediately start recording a video no matter what else you’re doing on the camera by hitting the button.
The camera’s responsiveness is very good - obviously not like a DSLR, but much quicker than I’m used to from point and shoots, including other recent models that I’ve handled. You don’t get full manual controls, but if you know what you’re doing you can almost always get exactly what you want out of it. I usually leave it in “Normal Picture” mode, which gives you the most manual control. All other modes will either default to use the flash if the camera deems it necessary (which, as in most point and shoots, is almost all the time apparently), or will use the built-in LED to aid focusing, both of which are extremely distracting if you want to be discreet (or if you just don’t like the look of straight-on flash).
You do have to know what you want to do with the camera if you use “Normal Picture” mode, it’s not just point and shoot - but you will get the best results. The “Intelligent Auto” mode works OK - it tries to decide the best scene mode for you based on what it thinks you’re taking a picture of. I would suggest just dialing in the scene mode yourself (there are a lot to choose from) as when I was trying that mode it would sometimes choose the wrong thing. That would be the best mode if you wanted pure point-and-shoot action, though.
Image quality is probably about on par with other point and shoots with folding optics. I don’t know too much about this as I’m used to my 40D and other DSLR images. It is certainly more than decent for my purposes, though. Impressively, I’ve been taking high-iso shots without flash in really dark Thai bars and clubs that turn out ok - they are relatively long exposures of 1/2 to 1 1/2 seconds (or more) so I steady the camera on something, and there is motion blur, but I think that adds to the photo. The image noise in these cases is very obvious, but not overly distracting. Don’t expect the results you’d get from a DSLR with a fast lens, and you won’t be disappointed. Definitely practice your technique in various situations to get the best results with this camera.
Menu navigation is a little strange at first. I am not sure if it is really non-intuitive, or if I’m just used to the excellent navigation on DSLRs. I think users of point and shoot cameras probably have different expectations - most probably won’t have a problem with this. Once you get the hang of it it’s not really a problem, anyway, but for me it really was strange at first. All the controls you want (all the manual controls available in “Normal Picture” mode) are quickly available by hitting buttons on the back. You don’t have to dig through menus to get the the settings you need most often. It’s a similar setup to that on the Canon Powershot series, and probably other cameras as well as far as I know. I really like the different auto-focus options they give you - there are more options than on my 40D, and similar options to the professional series DSLRs from Canon and Nikon. Obviously, they aren’t going to work as well as on those cameras, but I quite like the “1-area High Speed” and “Spot” focus modes, which are very fast and work quite well. Unfortunately there is no manual focus, and in tricky situations it can be hard to get it to focus on exactly what you want - in those cases try “Spot” focus, but even there it doesn’t always give you what you want.
Now, of course, the big thing about this camera that calls for the high price - because let’s face it, for the specs on this camera it is pretty expensive - is that it’s waterproof. This works great and is really a lot of fun. I took it into the cold Pacific Ocean at Newport Beach and it held up great. Taking underwater HD video is a lot of fun. [...] I will have some more videos, from Thailand, up soon as well. I’ve also taken it in a hotel pool, and it worked great there too. Even if you don’t plan on going snorkeling or anything with this camera, it being tough and waterproof is a great feature - I don’t ever worry about just slipping it in my pocket. It’s the rainy season here right now and I don’t carry an umbrella, so I could easily get soaked at any time - I would be very careful with a non-waterproof camera, but don’t have to think twice about always carrying this one with me.
Do be careful, though, and be sure to read the instructions - there are some things you should do to take care of it so that the waterproofing holds up. The waterproof seals really could be better than they are, but if you take care of them I think they should hold up pretty well.
One thing you might also want to watch out for is battery life - when I took it to the beach, I only got about 25 minutes of video recording and a few photos before the battery (which was fully charged beforehand) was completely dead. The Pacific is quite cold, of course, which may have been the reason for the short battery life, but it is something to be careful of. Extra batteries are annoyingly expensive, and I haven’t seen a third-party version available yet, but I would have to recommend getting one because so far it seems that the battery life is unpredictable. I left it recording video on my desk with a fully charged battery to see how long it would last, and it went about 2 hours (which is about what you can fit on the 16gb SDHC card I got with the AVCHD lite codec). That seems pretty good, but in real life use you will probably get considerably less life out of the battery.
The zoom range is pretty decent; I usually stay at the wide end and I appreciate that they give you the 28mm equivalent - a lot of other point and shoots are at their widest at 35mm, which is significantly less wide. The lens is not exceptionally fast - which I assume is due to the folding optics design - but it normally is fine, even in dark places as I described earlier. I don’t really ever zoom in too much, because with the slow lens it’s usually blurry except in bright light. The optical image stabilization works well, and is active during video recording (if you want it to be) to remove some of the jitter, which is kind of annoying in videos, and which you’ll get a decent amount of with this camera due to its small size.
Macro images are nice - you can get quite close. Be careful about the “Macro Zoom” mode, though - it is actually a digital zoom! You can get much closer, but the image quality really suffers. This looks especially bad if you use it during video. I suggest simply never using this option. The regular macro mode works fine. You can get closest by zooming to the widest setting, which seems weird, but it works.
The camera is pretty stylish and has a nice feel and heft. It feels really well built, mostly metal, and not all smoothed out and boring like most modern electronics design. If you’re into gadgets, you’ll really appreciate the industrial styling of the camera, and the weight. The screen is very good; it is bright and visible in direct sunlight and will automatically adjust the brightness depending on where you are (if you set it to - you can set the brightness yourself, too). One problem with the design - and one inherent to this type of camera with folding optics - is that you will often find your fingers covering the lens until you get used to holding it. Kind of annoying, but understandable due to design limitations.
Overall - I think this is great as a pocket camera, for its HD videos, and as a backup for another camera. I personally would not want it as my only camera - I would choose my DSLR. I would not hesitate in recommending it to anyone who isn’t interested in a DSLR, though, and who wants a tough, neat little camera, great for traveling. To be honest, I’ve taken very few shots with my 40D, and quite a lot of them (and a heck of a lot of video) with this in the week or so I’ve been in Thailand so far.
Love this camera
This camera is great! Here’s why I (filmmaker/parent)bought this one instead of others:
1. Wanted to shoot HD video anywhere, any time, without having to lug around my HVX.
2. Shoots on memory cards, unlike the Sony P.O.S. I bought that shoots HDV and if the camera breaks you’re up a creek. If the camera croaks, at least I can get the footage/pics off of it.
3. I have kids, so I never know when I’m going to want to shoot it, and this camera is easily small enough to fit into a cargo pocket or pants pocket (I’d recommend getting a body glove neoprene cell phone sleeve to put it in - fits perfect).
4. I have kids, so it has to be waterproof/dusproof/indestructable since I want to take it to the pool, camping, hiking, etc.
Pros:
- Shoots video super-instantly and easily, recording with one button push vs. my wife’s olympus which makes you go through menus.
- Video is SUPER-smooth, probably because of the super-wide angle lens. I mean, rediculously smooth.
- Stills look great too.
- Did I mention nearly indestructable.
Cons:
- No lens cap at all - bad design - an indestructable camera where the lens is always exposed? always carry it in something.
- STUPID USB cable that’s proprietary and DOESN’T charge the battery when it’s plugged in.
- AVCHD Lite looks good, will import into Final Cut Pro like it’s a P2 card, but is otherwise kind of a pain to deal with. The Panasonic software blows.
- Expensive battery, but definitely get a spare.
- Took some figuring to get the settings right for shooting with (min. shutter speed, mainly. I’d rather a photo or video be dark than blurry).
- No intervalometer (sp?). That would have been cool.
- Speaker/head phones jack - as a filmmaker, to put videos on this to play back to show people would be cool, but the speaker isn’t great.
Overall:
Great camera. The next version will hopefully have a few more improvements.
Fantastic product
I went going on a Carribean cruise which was going to include snorkling and scuba in addition to lots of beach time. I wasn’t planning to get a new camera but I saw that some new underwater cameras were coming out and thought I would check it out. Now, first of all, I am a huge Canon fan and probably would have bought their underwater camera (DC10 I believe), if it didn’t look like a toy.
I didn’t test the 3m theory by taking it scube but I did use it extensively on the beach and snorkling. It took some great pics and I had a lot of fun just bringing it in the water and watching people get paranoid for me. One great moment was when we got caught in a torrential rainstorm and I was happily taking pictures while everyone else was trying very hard to protect their cameras.
Couple of notes:
Get a foam floating strap. Keeps the camera relatively close to the surface so it won’t sink to the bottom.
Olympus Foam Float Strap, 202212, Red
If you want to take widescreen pics, these won’t come in at the full 12M. It gets downsized to 9M.
Outdoor pics were fantastic - much better quality then I thought
Plenty of features to play with including beach mode, food mode, burst mode (easier then I remember my Canon).
For some reason, power on takes a couple of seconds, tough to get used to after my instant on Canon
Battery life good for one day, my Canon would go for a couple days.
HD video came out great although make sure you have a procedure to convert them to friendlier video files.
All in all though, very happy with my purchase!
From the Manufacturer
Panasonic’s new Lumix DMC-TS1 is the world’s first waterproof, shockproof and dustproof digital camera to also feature AVCHD Lite High Definition (HD) video recording capabilities. The TS1’s tough and rugged design makes it the ideal choice for active users needing the ultimate hybrid for capturing both still and motion images during outdoor activities. The Lumix TS1, with a 12.1-megapixel resolution, features a 28mm wide-angle Leica DC Vario-Elmar lens, a 4.6x optical zoom and Panasonic’s proprietary iA (Intelligent Auto) mode, making this an easy-to-use, yet powerful camera that packs advanced imaging features.
The TS1 is waterproof to a depth of 10 feet, shockproof from falls up to 5 feet, and dustproof. With its rubber padding, reinforced glass and carbon resins inside the camera, the TS1 features an airtight body protected against water immersion, dust and sand.
Starting at the 28mm wide angle, and zooming up to a useful 128mm in telephoto, the TS1 gives users the flexibility for a variety of shooting environments–especially underwater, where movement is often restricted and the angle of view becomes important for composing shots. The TS1 also features a 2.7-inch, 230,000-dot Intelligent LCD with a wide viewing angle, enhancing visibility during recording and playback by automatic brightness control according to the environment’s lighting conditions. Plus, the TS1’s LCD panel is deliberately thickened for protection against pressure, allowing the display to operate with clear visibility even underwater.
The TS1 records AVCHD Lite HD video, allowing almost double the recording time in HD quality compared with the conventional Motion JPEG format. The TS1 also features Dolby Digital Creator to record high quality audio to match the high-quality motion images.
The TS1 features iA mode for both still images and in Movie Mode. For iA in Movie Mode, the TS1 features Optical Image Stabilization (O.I.S.), which helps prevent handshake when using high-powered zoom. Face Detection automatically detects a face in a frame and adjusts focus, exposure, contrast, and skin complexion on the face. Intelligent Exposure continually checks the ambient light level and adjusts the exposure setting as conditions change to prevent blown highlights and blocked shadows. And Intelligent Scene Selector automatically switches between Normal, Portrait, Macro, Scenery, and Low Light modes according to the situation to optimize visual quality. A Wind Cut function is also available to block out most of the noise from background wind. Optical zoom can be used in motion image recording. Users can start video recording by simply pressing a dedicated button on the camera’s back panel.
The TS1’s iA for still image adds Face Recognition–a feature that “remembers” faces from previous shots. When a registered face appears in the frame, the camera will prioritize focus and exposure to capture it beautifully. With Face Recognition, when a familiar face is recorded several times, the camera will prompt you to register the face. Once registered, if the face appears into the frame again, the camera will display the name specified for that person and prioritize focus and exposure so that the registered face is bright and sharply focused.
The imaging power of Lumix has further evolved with the Venus Engine HD, which boasts two CPUs to provide approx. 2.4x processing capability and support for Face Recognition, AVCHD Lite and HDMI output. It integrates the numerous advanced functions with high performance, and low-power consumption. Thanks to the Venus Engine HD, it’s easy to view photos or movies recorded in AVCHD Lite. Simply insert the SD Memory Card from the camera in the Panasonic VIERA HDTV’s Image Viewer SD Memory Card slot to start playback, or connect the camera via an optional HDMI mini cable to a VIERA Link-equipped Panasonic VIERA HDTV and use the TV’s remote control to run slideshows.
This multi-task image-processing engine also enables a fast response time. The TS1 starts up quickly in 1.3 seconds and shutter release time lag is approximately 0.005 seconds, making it easy to capture sudden, spur-of-the-moment photo opportunities. The Flash Burst mode makes it possible to take consecutive shots with continuous emissions of the flash. The Venus Engine HD also supports a High Sensitivity mode that lets the TS1 record up to ISO 6400, sensitive enough to capture subjects in near-total darkness without using a flash. Despite its outstanding performance, the high-performance engine is also more energy efficient, extending the battery life up to 340 shots (CIPA) per a single charge.
Other features of the Lumix DMC-TS1 include:
- New Scene Modes for Still Images: Beach & Surf mode gives users a single mode with optimized auto white balance for optical shooting on the beach and in shallow water.
- New Panorama Assist scene mode allows users to shoot a number of consistent photos, either vertically or horizontally, by aligning them according to a guide that overlaps the screen. Then using those photos and the bundled PanoramaMaker software, users can create dramatic panoramic images.
- Increased Scene modes for both still and motion image shooting–optimized for a variety of situations. There are 26 scene modes for still image and 17 for motion image (Portrait, Soft Skin, Transform, Self portrait, Scenery, Low light, Food, Party, Candle light, Sunset, High sensitivity, Beach & Surf, Snow, Aerial, Pin hole, Film grain and Underwater)
- LED Illumination is available in motion image recording.
- High-Speed Burst (Speed Priority) that fires off approximately 10 shots per second.
- Menus are clearer and easier to navigate with the Display Size option.
- Macro Zoom function lets users pull subjects even closer to capture dramatic close-up shots by using the 3x digital zoom in the wide-angle.
- Bundled Software: The latest version of PHOTOfunSTUDIO 3.0 HD Edition allows users to view, edit and archive captured content with greater ease and fun. Still and motion images can be transferred to the computer via a USB cable for viewing and archiving. Using PHOTOfunSTUDIO 3.0 HD Edition, users can edit and remove unwanted portions of video clips recorded in AVCHD Lite. Contents recorded in AVCHD Lite can be burned directly onto a DVD disc or converted to MPEG2 format. The software also incorporates the Face Recognition function, which recognizes registered faces in photos stored on the computer, making organizing and archiving photos with a specific person much easier. Additionally, motion pictures can be uploaded directly to YouTube.
